Friday, 26 November 2010

Architecture is not building

Betsky goes on to point out “what should be an obvious fact: architecture is not building. Buildings are objects and the act of building leads to such objects, but architecture is something else. It is the way we think and talk about buildings, how we represent them, how we build them. This is architecture. More generally, architecture is a way of representing, shaping and perhaps even offering critical alternatives to the human-made environment. In fact, buildings are not enough. They are the tombs of architecture, the residue of the desire to make another world, a better world, and a world open to possibilities beyond the everyday. In a concrete sense, architecture is that which allows us to be at home in the world”.

“The challenge of the 11th – underlines Betsky – is to collect and encourage experimentation in architecture. Such experimentation can take the form of momentary constructions, visions of other worlds, or the building blocks of a better world. This Biennale does not want to present buildings that are already in existence and can be enjoyed in real life. It does not want to propose abstract solutions to social problems, but wants to see if architecture, by experimenting in and on the real world, can offer some concrete forms or seductive images”.


http://oddtag.com/2008/08/29/architecture-is-not-building/

Friday, 12 November 2010

Minimalist House in Japan by Shinichi Ogawa & Associates


Minimal building, suitable use in materials that create the incredible atmosphere.
Less function, but quality remains.


Again, façade remains simple but distinct from the context.

The warmth has been deliberately shown my the smooth timber wall panels and its warm lightings. I guess to me, its a good architecture; rather than complexity shown in other design, it perfectly fits its function.




Friday, 5 November 2010






something that looks.... so great.
I want my programme to be a church too.
Kuokkala Church / Lassila Hirvilammi



Tuesday, 2 November 2010

good lighting penetration by Sauerbruch Hutton.



Here is what the architects explain:

“The layers of oil shale serve as the motif upon which the entire building design is based. The floor plan looks like a view of a cross-section of the rock, with long, parallel concrete walls representing the different layers. We’ve extended this spatial concept to the interior design, so that in walking through the exhibition visitors symbolically penetrate through four layers of rock. Every room layer is subdivided by transverse glass walls into multiple, individually designed exhibition rooms. Crystalline shaped showcase units, interior constructions that resemble blocks of stone, and a large curved surface that resembles the acclivity of a crater wall are wedged in between the parallel walls like fossils or sediments. The interior elements are made to contrast with the exposed concrete architecture by means of their colorful forms.”





“In the foyer visitors can already begin learning about the mine. The tour of the exhibition itself begins in the Landschaft (Landscape) room with the story of the creation of the Messel Pit. A short film exploring the many different aspects of the site is then shown in the theater. Afterwards visitors are taken on a virtual ride into the depths of the pit − a kaleidoscopic journey in time through the world of rocks. The tour of the exhibition continues along the 24- meter long original drill core, describing a trip through the different layers of rock, all the way to the layers of oil shale. In the Eocene jungle visitors are immersed in a sultry, shimmering world, created by means of moving pictures and sounds. The way to the exhibition’s center piece, the vault, leads through the Evolution room. In the vault itself original fossils are presented as valuable treasures from the pit. These witnesses to a world now ossified leave a lasting impression.”
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The model which inspired my building form.


Installation created by artist Matej Kren, displayed in Modern Art Centre in Lisboa.
The piece named as "book cell", an octagonal building made entirely from books to demonstrate the kowledge, history, research and trend of architecture. A stacked literature.